One

To Whom It May Concern,

It has been long since I have written a sincerely honest document, and I suspect it is a futile endeavor anyway. I say this mainly because as soon as the revolution enters they will undoubtedly tear the letter up in their haste to destroy anything that speaks contrary to their own cause.

And yet here I am.

The electricity went out days ago, so you will have to excuse the fact that this is typed by means of typewriter. I was surprised to find it still worked; it had long been abandoned as decoration in my bedroom. My handwriting has fallen into a state of disuse, and I would prefer if my last correspondence was legible.

The revolution has entered many of my coworkers' homes; I heard more than a few frantic phone messages before they cut the power. I suspect that more of my friends have been taken as of this writing. I have no means of obtaining any of this information, however, and even then it is of little importance.

The history is what is important. If someone does not document it now, the revolution will write their own.

It is ironic that I have spent nearly fifteen years of my life manufacturing the truth, and yet the only thing that seems of any consequence now is the truth: this letter will undoubtedly be the last thing I write.

The new government came into power when I was eleven. I remember watching it on TV with my mom. She was very unhappy with the government, but she was even less satisfied with the rising power of the Jack. She never really believed in the idea of a revolution to change the government.

"The new government still has a congress," she said, "It still is a system where change can come from the people. I doubt if we will be able to say the same for the Jack".

It was the summer after I graduated when they executed the Capp brothers. A lot of my friends went out to protest, and my mom encouraged me to go. I remember that it was loud.

My freshman year I met Lucy. A bunch of kids were trashing the Jack in political sciences and she stood up and yelled at them, telling the class that he had brought peace to an area where no one else could have. The professor was impressed.

After we were married I learned that her father and brother had been in the war. Her brother had been killed before it ended, but her father had been luckier. She told me that the Jack saved his life.

"My brother wasn't the only one," she told me, "a lot of people would've died in that war."

Our love was boundless.

Then came the Manhattan Riots. So many were killed, it was difficult to comprehend the magnitude of exactly what had happened.

The Jack was gaining power, and the revolution was still at the forefront of the national news. I couldn't pick a side. I was in limbo, caught between my mother's values and my wife's past.

I needed to think this over.

I spent more than a week's worth of days down at the dock in Maine, just sitting there and thinking. I played guitar a little. Sometimes Lucy would sing.

When the Jack fell in with the government, things got confusing. I can only assume the president thought it would appease the revolution. He was corrupt, though, like every politician at that time. It seems like every member of congress was being questioned by everyone else.

The coup was non-violent, like everything the Jack did. The president and his cabinet were man-handled out of the country, and people danced in the streets. Huge posters bearing the Jack's face were everywhere, but they were missing a slogan. Something that would be easy to remember, something that people would say to each other.

It came to me in a restaurant, and I scribbled it on a napkin. I crumpled it up and stuck it in my pocket.

And then I went to Washington.

Lucy and I stayed at a small hostel on 17th street, 10 minutes walk from the White House.

We were there when they painted it red. It was breathtaking: the Jack walked out onto a balcony, and the crowds cheered. There were four or five shipping containers on the lawn that had been flown in. He stepped up against the railing and lit up a cigarette, taking a deep puff and then tossing it onto the lawn.

And then he took out a paint can and just threw it at the building.

There was this awesome cheer as the splash of red paint hit the building, and then the gates flew open and the crowd rushed in, yanking open the shipping containers and finding hundreds upon hundreds of red paint cans and rollers and brushes of all kinds, and then they went to town. They painted the White House.

And then came the shots, and everything changed.